Breaking Bad Image
The Operational Land Imager (OLI) on the Landsat 8 satellite acquired these two images of ship-recycling in coastal Bangladesh on December 1, 2013, and February 19, 2014. Turn on the image comparison tool and note how new ships have arrived, others have disappeared, and a few have moved slightly. Several appear to be considerably smaller, likely because disassembly is in progress. Note also the difference in the color of the water near the shore. The lighting changes with the seasons, as does the amount of sediment in the water. Tides and water depth also may have been different at the time of each image.
Breaking Bad image
Ahead of the release of its movie sequel on Netflix, El Camino: A Breaking Bad Movie star Aaron Paul is feeling a bit nostalgic for the hit AMC series. In an image posted to his official Instagram account, Paul is shown once again wearing a yellow lab suit, just like the kind his character Jesse Pinkman used to wear when he cooked meth with Walter White. "Hello old friend," Paul states in the caption, along with the Oct. 11 release date for El Camino: A Breaking Bad Movie. For any big fan of the intense TV series, it's hard not to get excited seeing Paul back in the familiar garb. You can take a look at the image below.
Jesse Pinkman will return when El Camino: A Breaking Bad Movie debuts on Netflix on Oct. 11. Hopefully, for everything the character has had to endure thanks to his involvement with Walter White, Jesse will actually be given some sort of happy ending, unlike most other characters shown in the franchise. The image of Paul back in the yellow lab suit comes to us from Aaron Paul on Instagram.
In BREAKING BAD, Walter White (Bryan Cranston) is a Phoenix high school chemistry teacher working a second job to support his wife, Skylar (Anna Gunn), and their teenage son, Walt Jr. (R.J. Mitte), who has cerebral palsy. Desperately hard up for money and constantly put down by those around him, Walt reaches the breaking point when he's diagnosed with inoperable lung cancer. He connects with former student Jesse Pinkman (Aaron Paul) to start making and selling methamphetamines in order to raise money for his struggling family. As the seasons progress, Walt's original intent to provide for his family blurs with greed as he becomes a successful drug lord.
Roblox is a game that lets your imagination run wild and its image IDs will help you add a splash of colour to the game and make it your own. These user-created images and decals will fill your game worlds with memes, your favourite anime characters and more.
Ross Douthat of The New York Times, in a response to Klosterman's piece, compared Breaking Bad and The Sopranos, stating that both series are "morality plays" that are "both interested in moral agency". Douthat went on to say that Walter White and Tony Soprano "represent mirror-image takes on the problem of evil, damnation, and free will". Walter is a man who "deliberately abandons the light for the darkness" while Tony is "someone born and raised in darkness" who turns down "opportunity after opportunity to claw his way upward to the light".[78]
A motif within the second season is the image of a damaged teddy bear and its missing eye. The teddy bear first appears at the end of the music video "Fallacies" for Jesse's band "TwaüghtHammër", which was released as a webisode in February 2009 leading to the second season.[89] The teddy bear can also be spotted on the mural on Jane's bedroom wall during the final episode of the second season, further connecting the crash to Jane. It is seen in flashforwards during four episodes, the titles of which, when put together in order, form the sentence "Seven Thirty-Seven down over ABQ".[90][91][92] The flashforwards are shot in black and white, with the sole exception of the pink teddy bear, which is an homage to the film Schindler's List, where the color red is used to distinguish the coat of a very young girl.[93] At the end of the season, Walter indirectly helps cause the midair collision of two airplanes;[94][95] the pink teddy bear is then revealed to have fallen out of one of the planes and into the Whites' swimming pool. Vince Gilligan called the plane accident an attempt to visualize "all the terrible grief that Walt has wrought upon his loved ones" and "the judgment of God".[96]
In the first episode of the third season, Walt finds the teddy bear's missing eye in the pool skimmer. Television critic Myles McNutt has called it "a symbol of the damage [Walter] feels responsible for",[97] and The A.V. Club commented that "the pink teddy bear continues to accuse."[98] Fans and critics have compared the appearance of the teddy bear's face to an image of Gus Fring's face in the fourth-season finale.[99]
Breaking bad news to patients is one of the most difficult responsibilities in the practice of medicine. Although virtually all physicians in clinical practice encounter situations entailing bad news, medical school offers little formal training in how to discuss bad news with patients and their families. This article presents an overview of issues pertaining to breaking bad news and practical recommendations for clinicians wishing to improve their clinical skills in this area.
In the past few decades, traditional paternalistic models of patient care have given way to an emphasis on patient autonomy and empowerment. A review of studies on patient preferences regarding disclosure of a terminal diagnosis found that 50 to 90 percent of patients desired full disclosure.4 Because a sizable minority of patients still may not want full disclosure, the physician needs to ascertain how the patient would like to have bad news addressed. Qualitative studies about the information needs of cancer patients identify several consistent themes, but which theme is most important to any given patient is highly variable and few patient characteristics accurately predict which theme will be most important.5 Therefore, the physician faces the challenge of individualizing the manner of breaking bad news and the content delivered, according to the patient's desires or needs.
Physicians also have their own issues about breaking bad news. It is an unpleasant task. Physicians do not wish to take hope away from the patient. They may be fearful of the patient's or family's reaction to the news, or uncertain how to deal with an intense emotional response. Bad news often must be delivered in settings that are not conducive to such intimate conversations. The hectic pace of clinical practice may force a physician to deliver bad news with little forewarning or when other responsibilities are competing for the physician's attention.
Several professional groups have published consensus guidelines on how to discuss bad news; however, few of those guidelines are evidence-based.8 The clinical efficacy of many standard recommendations has not been empirically demonstrated.9,10 Less than 25 percent of publications on breaking bad news are based on studies reporting original data, and those studies commonly have methodologic limitations.
Breaking bad news to someone is never a pleasant task. But, breaking it at the wrong time or in the wrong way can be even worse. It's important to know the best approaches to breaking bad news. The real difficulty (besides the content of the bad news) is that it is just as hard for the person breaking the bad news as it is for the person receiving it. Learn some methods to help you break bad news with the least amount of aggravation for both parties.
But sometimes a poster is just a poster. In one "Homeland" image that was considered as key art but ultimately only ran as an ad in The New Yorker, Carrie pieces together a composite of Brody's face from paper scraps. "We expected that people would pore over the notes looking for clues," Buckley said. "But there were no clues there." The bits of paper were discarded props from filming Carrie's evidence wall. 041b061a72